The Nice Guys 2016 Streaming Film Per Tutti

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The Nice Guys 2016 Streaming Film Per Tutti

Filmteam

Dipartimento artistico di coordinamento : Chantay Jordyn

Coordinatore degli stuntman : Malise Tyra

Layout dello script :Astara Maélis

Immagini : Teresa Loretta
Co-Produzent : Dionne Cloé

Produttore esecutivo : Garner Duhan

Direttore della supervisione artistica : Aïna Samual

Prodotti : Adja Serres

Produttore : Sosno Marsh

Attrice : Arlind Astou

A private eye investigates the apparent suicide of a fading porn star in 1970s Los Angeles and uncovers a conspiracy.

7.1
4846

Titolo del film	The Nice Guys
lalunghezza	133 minute
Laliberazione	2016-05-15
La Qualità	M1V 1440p VHSRip
Categoria	Comedy, Crime, Action
Il lessico	English
Castname	Arlette K. Ashlin, Abir J. Adrijus, Zente W. Caytlin

[HD] The Nice Guys 2016 Streaming Film Per Tutti

Cortometraggio

Speso : $087,327,881

Entrate : $975,155,568

Categoria : Fallimento - Fratelli , Abstract - sconcertante , Zoologia - Biblioteca , Etica - Aborto

Paese di produzione : Singapore

Produzione : UFA Fiction

الرجال اللطفاء ويكيبيديا ~ الرجال اللطفاء بالإنجليزية The Nice Guys هو فيلم حركة كوميدي وإثارة تم إنتاجه في الولايات المتحدة وصدر في سنة 2016 الفيلم من إخراج وكتابة شاين بلاك ، ومن بطولة راسل كرو ورايان غوسلينغ وماثيو بومر ومارغريت كوالي وكيث ديفيد

كارلوس هرنانديز ويكيبيديا ~ كارلوس هرنانديز 23 يناير 1971 بلوس أنجلوس في الولايات المتحدة هو ملاكم أمريكي، صنّف ضمن فئة وزن الريشة السوبر الإنجليزية إحصائيات خاض خلال مسيرته 52 نزالا، فاز في 43 وتعادل في 1 وخسر في 8 فاز بالضربة القاضية في 24 نزالا

رايان غوسلينغ ويكيبيديا ~ رايان غوسلينغ بالإنجليزية Ryan Gosling ممثل كندي من مواليد 12 نوفمبر 1980 في لندن بكندا، شارك في بطولة عدة أفلام ورُشح لجائزة الأوسكاربدأ مسيرته المهنية ليكون طفلًا نجمًا في قناة ديزني في برنامج نادي ميكي ماوس 1993 – 1995

بروس أ إيفانز ويكيبيديا ~ بروس أ إيفانز بالإنجليزية Bruce A Evans هو منتج أفلام وكاتب سيناريو ومخرج أمريكي، ولد في 19 يوليو 1946 في لونغ بيتش في الولايات المتحدة مراجع

إيفون زيما ويكيبيديا ~ إيفون زيما هي ممثلة أمريكية، ولدت في 16 يناير 1989 في الولايات المتحدة

ريتشارد دوكينز ويكيبيديا ~ كلينتون ريتشارد دوكينز عالمُ سلوك حيوان ، وعالم أحياء تطوري ، وكاتب دوكينز زميلٌ فخريٌّ للكلية الجديدة في أوكسفورد، وأستاذ الفهم العام للعلوم منذ 1995 حتى عام 2008

إليزابيث مانسفيلد ويكيبيديا ~ إليزابيث مانسفيلد بالإنجليزية Elizabeth Mansfield 1925، ذا برونكس في الولايات المتحدة 2003 في الولايات المتحدة؛ أستاذة جامعية وروائية أمريكيةدرست في جامعة مدينة نيويورك

مارغريت كوالي ويكيبيديا ~ بداية حياتها ولدت مارغريت يوم 23 أكتوبر 1995، في مونتاناهي ابنة الممثلة آندي ماكدويل وعارض الأزياء السابق والموسيقي بول كوالي لها أخ أكبر سنا منها يدعى جستين ولد 1986، وشقيقتها ريني ايضاً ممثلة وعارض أزياء ولدت 1990

تيم سميتشك ويكيبيديا ~ تيم سميتشك بالإنجليزية Tim Smyczek مواليد 30 ديسمبر 1987 في ميلواكي، ويسكنسن، ويسكونسن، الولايات المتحدة هو لاعب كرة مضرب أمريكي بدأ مسيرته الإحترافية في سنة 2006 مراجع

جاري ويكس ويكيبيديا ~ جاري ويكس هو منتج أفلام وكاتب سيناريو وممثل أمريكي، ولد في 4 يونيو 1972 في ألمانيا

> An unexpected and thoroughly entertained retro comedy!

It all began from this year's Oscars, I saw this pair for the first time and I knew its their film promotion strategy. So I went to look for the full details and I thought I'll end up as another silly comedy like 'Daddy's Home'. That's why I did not bother to check it out its teaser and trailer, but now I feel terrible for my crappy judgement. Because this was an awesome movie, definitely not just in the comedy category, but overall one of the best films of the year and it should be in everybody's top ten or twenty and nothing less.

It is a retro type film that takes place in the late 70s, LA. Where two private investigators unlikely come together to probe a mysteriously reappeared porn star from the dead as what her aunt says. But later that connects with another high profile missing girl case and so with all the leads, these two goes the length risking their lives to solve it. The remaining story reveals whether they succeed or end up as the losers.

It was from the director of 'Iron Man 3' who wrote it keeping in mind as a television series, but later turned into this beautiful comedy. The first thing is I loved the Ryan and Russell's performances. They totally nailed it, especially Ryan Gosling in many comedy scenes. I think I laughed a lot and better after a long time. That's a surprise, you know, I did not think they can do comedies, but they're beyond all the praising words.

It's not just two of them, there is a mini 'Nancy Drew Reporter' kind of character. A teen girl joins them in the investigation and her part as well had a great impact on the narration. You would think you can predict the story, but it is a well written screenplay with many twists. Everybody did their job so well, even the two hours did not look too long, but went very quick. The cast, crew, production, all must return for a sequel and I hope it will happen very soon. A must see film, but for the grown ups only.

8/10
I've never been a Ryan Gosling fan. No movie ever before has come as close to turning me around in that than _The Nice Guys_.

Director Shane Black is in top form with broad appeal, terrific performances, and honestly more humour than anything I've seen in years.

_Final rating:★★★½ - I strongly recommend you make the time._
Waltons, Poronography, Tricky Dicky, Hitler, Equanimity, Bumble Bees ... And Stuff!

The Nice Guys is directed by Shane Black and Black co-writes the screenplay with Anthony Bagarozzi. It stars Russell Crowe, Ryan Gosling and Angourie Rice. Music is by John Ottman and David Buckley and cinematography by Philippe Rousselot.

1977 Los Angeles and a private detective and a muscle for hire enforcer wind up on the same case looking for a missing girl. Can opposites really attract? More importantly, can they survive not just the perils of a case that gets murkier the longer it goes on? But also each other?

I don't care if Colonel Mustard did it in the study with a candlestick. I just wanna know who he did it with and get the pictures.

How wonderful to have had Shane Black back in his comfort zone and producing such a joyful buddy buddy neo-noir of considerable substance. It was eleven years since the superb Kiss Kiss Bang Bang had reminded us that Black had few peers when it came to blending high action macho twosomes who are also armed with sharp tongues to match, this was after all the guy who also penned Lethal Weapon and The Last Boy Scout. The idea for The Nice Guys had sat in gestation for a number of years, finally it was unleashed to reward fans of his work and for those in sync with the style of film making he homages.

Much like his other buddy scriptings, we are in the company of two mismatched guys. Gosling's ex-cop Holland March is a bit goofy, afraid of the sight of blood and morally bankrupt. Crowe's muscle for hire Jackson Healy beats people up for money, but he's a stand-up guy, likes his pet fish, even has a hero streak. What binds them together is troubled family baggage, that they are both men in search of a better world, to be better men themselves, and thus Black - to give them a chance of life improvement - pitches them into the seamy underbelly of the L.A. pornography industry - with some corruption elsewhere thrown into the equation.

As a coupling March and Healy prove to be a riot. Crowe is menacing and funny with it, Gosling is affably flaky but charm personified, and thankfully both men have a knack for visual comedy (see Gosling's Lou Costello homage and Crowe's reaction to a henchman's act of fish murder). Crucially both actors can deliver killer lines, which is an absolute must for a Shane Black inspired production, for here there is never any let up, zingers are unbound. Then there is Rice (superb and actually the third lead in the play) as March's 13 year old daughter, she's got youthful zest and a killer matter of fact skill in reacting smartly to the two men currently dominating her life.

The L.A. of the 70s is expertly designed, all blink blink blinkity blink neon lighting, side-burns and disco music, dubious fashions and protest groups protesting about the most mundane of things. Then you got the pornography angle, the 70s a hot-bed (no pun intended) for the sex sells profiteers, the perfect setting for Black to trawl through it all in noir clobber. As a noir piece it has it all, femme fatales, thugs, conspiracies, voice overs and an array of colourfully odd characters (excitable and troubling henchmen, a porno Pinocchio, a young lad willing to flash the contents of his underpants for cash!). And of course there's mysteries to be solved and rocks to be upturned, all of which is played out in a whirl of stylish violence, situational comedy and fluid camera work.

Black kind of wants it all, to stay cool whilst having wry observations on the Americana of the era, and he enjoys going close to the knuckle when he can, which to some (not me) will come off as a shock value humour tactic just to ruffle feathers. It's also a minor itch that he sort of snatches from his previous works in search of reassurance - note for instance the similarities between the opening to Lethal Weapon and here with The Nice Guys. But itches be damned, so much fun and hidden dramatic depth on show here, a real treasure that makes you wish Black would stroll down neo-noir lane a bit more often. Don't believe me? Then may Richard Nixon come after you the next time you go for a swim in the pool! 9/10


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